So when Sue is offline, Elisabeth has even less of an identity, a life, than she did before taking the Substance ... and ominous as Elisabeth tries on outfits, settling on one that does look ...

Fashion in films has always been a point of conversation, and The Substance has ... of pop culture icons in Sue's wardrobe. Tweets were filled with how Sue's outfits are a perfect mix of ...

Grammy Awards brought together the biggest names in music, but from Miley Cyrus to Nikki Glaser, these nine fell flat on the red carpet.

Sue – but then, Moore has spent Oscar season receiving the lion's share of attention. She certainly goes bigger than Qualley's character does – and squishier. And if you're surprised that The ...

The Substance writer/director Coralie Fargeat on the bathroom birth scene, the symbolic importance of the spine, and why she ...

Everything stems from the spine: How the birth scene became the backbone of "The Substance ... And it was in intuitively writing the Sue birth scene that the writer/director discovered ...

The writer and director Coralie Fargeat narrates a sequence from her film starring Demi Moore.

The writer and director Coralie Fargeat narrates a sequence from her film, which is nominated for best picture.

Speaking to Metro at the event, makeup artist Pierre Olivier Persin took it ‘as a compliment’ that film editor Tori Brazier dubbed the film the most disgusting thing she’d ever seen. ‘Designing ...

Fargeat plays with this concept of gaze, panning and sweeping over both Elisabeth and Sue’s bodies. The scariest part of “The Substance” isn’t just what happens to Elisabeth. It’s the way the viewer ...

The impact of creating this other "self" - called Sue - on her own body is pretty gruesome. Image: Margaret Qualley, right, Coralie Fargeat, centre, and Demi Moore at the premier of The Substance ...