It doesn’t tell the director (in this case Steven Spielberg) where to put the camera, but it nearly does. “I asked Steven ...

EXTERIOR SELVA NOCHE Un globo ocular, grande, amarillento, claramente inhumano, observa atentamente entre franjas de madera, ...

An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from ...

David Koepp hadn't written a "Jurassic" movie since 1997. ... “Presence,” like “Panic Room,” stays within a family home, and it’s seen entirely from the perspective of a ghost.

From David Fincher's "Panic Room" (2002) to Steven Soderbergh's "Presence" (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything — as long ...

From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything ...

From David Fincher's "Panic Room" (2002) to Steven Soderbergh's "Presence" (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything — as long ...

From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything ...

From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything ...

From David Fincher's "Panic Room" (2002) to Steven Soderbergh's "Presence" (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything — as long ...