On Christmas Day "The World of Wong Kar Wai" was released. It is a collection of seven restored films by the Hong Kong director and will be available through Digital Gym Cinema (DGC@Home) for the ...

PRETTY BUT slight, “My Blueberry Nights,” the first English-language film by the revered Hong Kong auteur Wong Kar Wai, will seem both familiar and disappointing to many of his fans. This ...

Exploring themes of chance, fate and longing with nonlinear narratives, ... From 1988 to 2004, Hong Kong film director Wong Kar Wai released eight films that changed cinema forever.

During the interview, the host asked Song Hye Kyo about her early experience working outside Korea, steering the conversation ...

That filmmaker is Wong Kar-Wai. In person, ... Wong tries to do something different with each film, yet his body of work reveals a fascination for similar themes.

Wong Kar Wai's common themes are in the series but muted. Ah Bao, played by popular star Hu Ge , is the central character around whom everyone's lives and stories revolve but, ironically, has less ...

The familiar Wongian themes are there: the passing of time and the tragic impossibility of the right people ever managing to be in love at the same time. Even better, the usual Wong team has been ...

Wong Kar-Wai emerged as a director in the late 1980s, ... His most upbeat, playful treatment of the theme is Chungking Express (1994), which gave him his international breakthrough.

U.S. viewers will finally get to experience Wong Kar Wai’s Blossoms Shanghai later this year. The visionary director’s first and only TV series is officially coming to the Criterion Channel after its ...

Q&A: Wong Kar-wai on ‘The Grandmaster,’ Hong Kong Cinema and ‘Passing the Torch’ Wong: Yes. THR: Some directors are very controlling and sort of tell their collaborators how to do their jobs.

Wong Kar-wai‘s series debut “Blossoms Shanghai” ... His work often explores themes of Portuguese identity and incorporates elements of both fiction and documentary.

Trying to correct a Wong Kar-wai film by re-editing can only ever weaken it; messing with the flow, pacing and shot selection doesn’t just sand a film of its identity, it upsets the equilibrium ...